…writes the kind of stories that she loves to read: contemporary romantic comedies fraught with amusing complications and taut sexual tension between a likeable heroine worth rooting for and an alluring hero worth the trouble of falling for.
A lifelong storyteller in one form or another, Barbara is an accomplished, award-winning writer. She also enthusiastically admits to being a pop culture junkie, with a weakness for reality TV, timeless rom coms, and any smartly-written show, book, movie or Tweet that makes her laugh out loud.
Barbara thanks her lucky stars that she has the kind of blissful existence that her characters can only dream about reaching before the last page.
How would you describe your writing?
I write contemporary romantic comedy about relatable people in relatable situations. It’s what I know best, what I do best and what I enjoy reading the most.
What do you love most about Morning Man?
I love the electricity between Tack and Dayna, and writing from each of their POVs as I turned the screw on them was great fun. It was also fulfilling to watch these characters grow. Honestly, everything just fell into place so easily and naturally as they each told their stories and that made the book a joy to write.
What inspired Morning Man?
I worked in radio for six years; the first year was spent at a country radio station. And when I say it was country, it was Country – not only did we play the likes of Reba and Garth, the station was located on the outskirts of town in a wheat field! I kid you not. The experience was great training ground for the rest of my career and little did I realize it, but that unforgettable time in radio planted a seed that would germinate into a book years later.
Can you give us a sneak peek at your next project?
I’m excited by a new idea that’s still coming together, but so far, it’s a romantic comedy about rediscovering, reconnecting and – hopefully – rekindling, set in the art world.
Read any good books lately? Which authors do you admire?
This summer, I picked up a couple of titles by Jasmine Guillory and three by Taylor Jenkins Reid. Once I discover an author I like, I tend to dive into the deep end of their body of work. Above all, I adore the works of Nora Ephron. She is the G.O.A.T. of contemporary romantic comedy and I have devoured all of her essays, just trying to soak up some of her genius. Currently, I am reading The Editor by Steven Rowley, a very clever story about a young writer whose first-published book is being edited by a fictionalized version of Jackie Onassis. It is divinely crafted and dialogue-driven, which really floats my boat.
What’s the best piece of writing advice you have ever received?
I have this quote from Richard Bach taped to my computer screen: “A professional writer is an amateur who didn’t quit.”